I had an amazing time teaching a Copperplate Calligraphy workshop earlier this month in Berlin, Germany for MAKE! Skilled Hands. We primarily focused on copperplate calligraphy, but also experimented with ruling, folded and cola pens too. Filmmaker Ellen Czaya did a great job filming and editing the following documentary.

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Originally posted on Crane & Co.: The Blog:

A Crane wedding invitation and calligraphy go together like Bogart and Bacall. Beautiful. Classic. Timeless. For a newly engaged couple, though, calligraphy is something they haven’t thought much about, let alone know how to make an educated decision about. Luckily, our guest post today comes from Laura Di Piazza, a professional calligrapher who creates beautiful flourishes for everything from weddings to workshops.

laura di piazza

Perhaps one of the first comments many clients have made after contacting me is how difficult it was for them to research for calligraphers. Calligraphy work is low tech, in that we mainly work with paper, inks/paints and pens. So perhaps some of us do not have a strong online presence. However, I believe the main reason that it takes clients a bit of effort to find a calligrapher that suits their aesthetic preferences, timeframe and budget is simply because there are so few professional calligraphers out…

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This year is winding down. I’ve collected some words and put them out to dry.

Originally posted on lauradipiazza:

In February 2013 I had the pleasure of being part of Takt Kunstprojektraum artist-in-residence (AIR) program in Berlin. The winter residency group consisted of 10 international artists including myself. The AIR participants engaged in a wide range of media and research, which included sculpture, bricolage, photography, painting, video and anthropological studio visits. We lived and worked in studios in the Friedrichshain and Prenzlauer Berg East side neighborhoods. Our group exhibition, Colligere, was held at Kunstraum Tapir and was curated by Paola Bonino. Bonino incorporated many of the diverse styles of the resident’s work into a collective exhibition that both united and also honored individual forms of expression. A few of the artists also held additional exhibitions and readings in other Berlin spaces during their residency. The residents also received weekly critiques from Isabel Manalo, who is represented by Addison/Ripley and is also the director and founder of

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Originally posted on lauradipiazza:

Thank you WellWed Magazine & Vermont Vows for inviting me to The Wedding Affairs on 11/10/12 as guest calligrapher held at Shelburne Farms.

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Originally posted on lauradipiazza:

I spent most of August 2012 in Hallein, Austria in Manfred Pernice‘s O Tannenbaum course at the Internationale Sommerakademie (SOAK). O Tannenbaum and several other SOAK courses were held in the historic and impressive Alte Saline building, which once processed salt that was mined locally. It was an eventful 3 weeks attending exhibition openings, lectures and Mittagsgespräche (lunch talks), meeting people from all corners of the global at the Alte Saline and at the Festung Hohensalzburg (the other SOAK location in Salzburg) and also experimenting with found and re-purposed materials for the course. In some ways we had Christmas in August in Pernice’s O Tannenbaum course. Pernice invited us to consider the Christmas tree, and the adornment of it, and how it’s transformation might inform our own sculptural project.

To get into the holiday spirit teacher’s assistants Noële Ody and Cäcilia Brown asked us to create gifts. Above is…

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